On Monday September 16 I’ll be presenting a trunk show in Port Perry at Hope Church at 7 pm. I’ll be showing approximately 20 of my quilts, most of them are hand appliquéd. Hope you can join us. I’ll also have my patterns for sale.

I’m making steady progress on the elephant quilt I’m making for our grandson who’ll be arriving in a couple of weeks. I’m hand quilting this gem and loving every moment.

I’m also finishing up my class samples that I’ll be teaching at The Academy of Applique in March 2020. I’ve added a window frame to the Yellow Finches. Love it!

My Scrappy Log Cabin is back from Colleen, who did an awesome job machine quilting this very large quilt. It measures 100″ x 100″!

This weekend Paul and I and 2 of our daughters are going camping at Awenda Park near Penetang. Should be fun! I’ve been busy baking so we don’t go hungry lol

Til next time….

Kerry

Hubby and I are heading out for a few days to Stratford, ON.  I am busy packing but I just realized that this is Labour Day Weekend.  That means all kinds of things to different people…school starts back up, Pumpkin Spice Lattes are everywhere and leaves will start changing colour.  Bus, if you are an appliquer, Labour Day Weekend means that you can now sign up for classes at The Academy of Applique!  If you have been scoping out the catalog, you already know that there is a great line up of teachers (if I do say so myself!) and some very interesting classes!  You can view the catalog of classes here.

I have been busy working away on a baby quilt for our grandson, who should be making an appearance around the first week of October.  (Mom is hoping for sooner lol.)

I am loving the Las Passacaglia journey!  I am using Inklingo to construct mine and I highly recommend giving this method  try:)  This is what my design wall looks like.  Controlled chaos:)

Til next time…

Kerry

P.S.  Have a safe Labour Day Weekend:)

Great news!  The Academy of Applique 2020 catalogue is now online and ready for you to drool over!   Registration starts at 12 noon on Monday, Sept. 2 (Labour Day). You can see it here.  If you love applique and have never been to the Academy, I urge you to do so.  This will be my fourth year teaching at the Academy, and it truly is the highlight of my year.  To be surrounded by so many students and teachers that share my love of applique is truly amazing:)

Here are some pics of the classes I will be teaching.  My first class is Southwest Succulents.

The second class I am teaching, which is suitable for true beginners, is called Yellow Finches.

So I have finally taken the plunge and started my La Passacagalia quilt. I am not doing it using the EPP method.  I am using Inklingo and it could not be any easier.  Print your shapes on an Inkjet printer, and use a running stitch to stitch by hand.  Easy Peasy!  Here are some of the rosettes I am working on.  Also, fussy cutting is a breeze!

Way too much fun!

Here is another one.

This is the back of the rosette above.  You can see the printed lines and my stitches.

Like most quilters, I have a stash of scraps that is not going away on it’s own.  I decided to make Bonnie Hunter’s “Split 9 Patch” and it certainly has made a dent in my stash.  So the idea is to make 168 blocks made up of 2 1/2″ squares.  All was good until I spotted a boo-boo.  On all 168 blocks.  (The square in the top right corner.)

So after an evening of ripping out all 168 blocks, my blocks now look like this. I must confess, “younger me” may have pitched all the boo-boo blocks in the trash, but “more mature me” decided I had too much of my valuable time invested in this project not to have something to show for it lol!  And (according to my calculations), I used up approx 7 metres of my stash for the squares and triangles.  That is quite a dent!

The blocks are stitched together in rows, and I am now stitching those rows together.  Bruin approves!

Have an awesome and safe long weekend, do some stitching and go check out the catalogue:)

Til next time….

Kerry

There is no doubt about it.  Time flies whether we like it or not.  It was my intention to write this blog post shortly after the last post.  I was on a roll!  But, as we all know, life gets in the way and, well, here we are:)  Better late than never.

The first pieces of the Chickadee to be placed on the background are the light tan and dark tan tail feathers (far right in the pic below).  Next, add the dark yellow belly. 

As I was working on this tutorial, I noticed a small error in one template.  The mistake is in this dark yellow underbelly labelled Y2-1.  The template with the error looks like this….

It should look like this……Which means the only part of this template that gets prepped is the bottom curve.  Sorry for any inconvenience:)

So now the next set of tail feathers can be added in this order,  the light tan feather at the top, then the dark tan feather and then the white tail feather.  

And now we can add the gray tail feather, and the dark tan feather of the next set.

Next, we can add the final feathers.  You can see that by drawing on the un-prepped seam allowance on all the pieces, things are lining up quite nicely (and stress-free!).

Next comes the light yellow breast, the black throat and then the white detail.  About that white detail…..

I always line my white pieces with another layer of white fabric.  This is what I do.  I prep the template piece as usual.  Then I pop the template out and iron it onto another piece of white fabric.  It can be the same fabric or something close.  Next, I draw around it with a blue water soluble marker.  And then I cut this shape out, making sure to cut off all the blue marker.  So the goal is to make this lining piece a smidge smaller than the original prepped piece.

Now I can take the lining piece and glue it onto the seam allowance of the prepped piece.  And then I glue the entire piece on the background, followed by the black top of the head piece.

Next I added the beak and the feet.  I have prepped the eye but I cannot find it.  It is here somewhere:)  In my next post, I will show you how I stitch those points.

Til next time….

Kerry

I mentioned earlier that I had one of my quilts juried into Quilt Canada, which was held in Ottawa earlier this month.  This is the fourth year in a row that I have had a quilt at Quilt Canada:)  Bed of Roses, a pattern designed by Sue Garman, won the Award for Excellence in Applique.  So humbled and so proud all at the same time:)

In other news, we have another grand baby on the way (our 3rd).  The gender reveal party was a couple of weekends ago.  Turns out we are having a…boy:)  So much fun!

So…back to the Chickadee.  In my last post, I showed you how I prepped my templates and traced the pattern onto my background.  This is the last photo that I showed.  Hopefully, you are getting the hang of figuring out “which piece goes where”.  It is a skill that comes with experience.  Trust me:)

So now I am going to continue gluing pieces onto the background, always placing the bottom layer first.  For this section you can see I added the purple buds, and the light green leaf in 2 sections.

Next I added the dark green leaf, then bias strip, and then the 2 leaves on either side of the purple buds.

Now I can add the light green leaf, which tucks underneath the purple berry.  So this “section” is now complete (except that it still has to be stitched lol)

Now it is time to start adding some flowers.  The flowers are all created in the same manner.  Before I started gluing this flower in place, first I had to add the bias stem.  Remember to glue the background, as opposed to the bias stem.

So, first I place the light purple petal in place.  Then I added the tiny dark purple section.  And then I added the larger purple petal. 

Then I added the tiny dark purple section.

Can you see the beauty of drawing the seam allowance on each piece?  Now I can see exactly where my last piece goes…and no raw edges!

Ta da! 

This photo shows everything glued in place…except the Chickadee.  Which I am going to go and do right now!  Just a note:  You don’t have to wait until every piece is glued in place before you start stitching.  Usually, I prep a few pieces, or maybe a section, and then I go and stitch it.  I would rather not leave all the stitching til the end.

Til next time….

Kerry

This past weekend the Quilting Corners Guild in Alliston, Ontario, held their quilt show, which happens every 2 years.  I was lucky enough to be a vendor this year and was on hand to spread the word about how easy and stress-free Prepared Edge Applique is.

Of course, I purchased a few goodies for myself.  Goodies that I know I could make, but would rather buy them already made (tee hee).

The quilts and wall hangings on display showcased the members talent, dedication and skill.

I am thrilled and humbled that my quilt To Everything There Is A Season won 2 ribbons:)

Very often I am asked if I teach anywhere in Ontario.  Now I can say “Yes!”  I will be teaching a few one day classes at Simcoe Sew and Quilt in Barrie, Ontario. Here is a link to the Class Page.   I’ll be teaching The Hummingbird in Flight Wallhanging.  Hope to see you in a class!

Speaking of the Hummingbird, I just got my back from Rose Bell, who, once again, worked her magic.  This is truly a masterpiece!

Well, I was going to post more pics of the Chickadee block, but I am off to Ottawa tomorrow for Quilt Canada.  So excited!  I haven’t started packing yet lol.  More exciting, though, the Raptor are going to make history in about 5 minutes.  We The North!

Till next time….

Kerry

Sometimes your applique project needs a special touch.  Like a caterpillar!  I learned how to make a caterpillar many years ago in a class, and, for some reason, I really love making these little guys:)

I used 5 squares of different fabrics that are cut of 3 1/2″ square.  I used earthy tones to make this one, but you can use whatever you like.  It’s your caterpillar.

Lay all the fabrics one on top of the other.  The caterpillar is actually cut on the bias, so it doesn’t fray.  Cut the squares in half on the diagonal, and then cut a 1/2″ strip from one of the triangles.  Of course you can cut as many 1/2″ strips as you like to make more caterpillars.  They will just be different lengths.

I used a very thick hand quilting thread to stitch the layers together right down the middle.  I put a large knot in the thread a left a long tail (this will be the antennae lol).  Gather the pieces as tight as you can (this is why you need a thick thread).  Take a couple of back stitches to secure the thread.

Now comes the fun part.  I put the caterpillar in a glass of water, and then took it out and roughed him up in a thick towel.  Next I rolled him between my hands to fluff him up.

I lied.  Next comes the fun part:)  I twisted the body of the caterpillar and…..Voila!  Good, clean fun:)

Moving right along….in my last post I showed you how I prepared all the pieces for the The Chickadee block.  Now I am going to show you how I go about placing the pieces on the background.  The first thing to do is to place the prepped pieces on the pattern.  This will give you an idea of where each pieces goes.  It will also help to identify the different layers, and which pieces you will place on the background first.  This is a skill that you will develop as you do more layered applique.  Trust me:)

You can see that I started with piece G2-9.  Can you see the beauty of tracing those raw edge lines on the piece?  It give you a visual guide to make sure the piece is placed in the exact spot.  And now you will know exactly where the next layer goes:)

This is how much Roxanne’s glue I use.  Not a lot!  Just a tiny dot on the seam allowance.

This is one of the pieces that have that dotted line marked on the template.  It means that one section of a side is prepped and the other side is unprepped.  In other words, one part of this piece goes on top of the dark green piece, and one part goes under the light green (next photo).

Now it’s just a matter of putting each piece on the background, paying attention to which pieces go on top, and which ones go on the bottom:)

Til next time…

Kerry

I have finished prepping all of the pieces for the Chickadee block, but I still have a few things left to do before I can start placing the pieces on the background.

First, I need to trace my pattern onto the background.  I always cut my background fabric 4″ larger than the finished size.  This will allow for shrinkage when I wash the block (more on that later).  And, believe it or not, the block will shrink up a little when the stitching is completed.

So, I pin the background to the paper pattern.  Fabric shifts, so I like to use quite a few pins to hold everything in place when I trace.  I use my light box, but you can use a window to trace on or, depending on how light your background is, you may not even need a light box.  I use a Clover water soluble marker (the thick one) to trace the design.

The next step will make your life so easy!  I trace the “unprepped” seam allowance on the right side of each piece.    On every single piece!  There are 2 ways to do this. You can simply place the piece (right side up) on your light box and trace the edge of the freezer paper that is “unprepped”.  I use my Clover marker to trace on light fabrics and a white pencil marker to trace on dark fabrics.  At this point, the freezer paper is still attached to the wrong side of the fabric. 

The second way to do this step is to take the freezer paper template out and place it on top of the fabric (shiny side up).  Trace the edge of the freezer paper onto the edge of the fabric that is “unprepped”.  This step is worth the time spent.  Trust me:)

Go ahead and mark all of your pieces.  You will thank yourself later:)

Of course, you don’t have to do this step with the pieces that are prepped all the way around, like this one. 

Next, I am going to make some stems using my 1/4″ bias maker.  First I cut my strips 1/2″ wide.  Because I want these stems to curve easily, I will cut them on the bias.  I like to place my bias strips in a bowl and spray with starch before I feed them through the bias maker. 

Place the bias strip wrong side up and insert in the bias maker.

Use the point of your stiletto or a pin to guide the bias strip through the bias maker.  If you pray to the Quilt Gods the strip will come out the narrow end:)

Next, I use my big iron and press the edges flat.  Gently pull the bias maker and move the iron so that the iron and bias maker almost touch.  Make sure you hold the iron on the bias strip long enough so that the starch completely dries.

Perfect bias every time!  So, now I am ready to start placing pieces on the background.  I will save that for my next post:)  

Til next time….

Kerry

Yesterday I began a tutorial for the Chickadee block.  The pattern is available on my website.  Many of you in the area (Barrie) asked about picking the pattern up and not having to pay shipping.  Now you can do that!  The patterns will be available for pickup starting on Wednesday May 22 at True North Yarn at Cedar Pointe.  Details are here.

Today I am going to show you how I prepare my freezer paper templates. These are the 3 greens I am using for my leaves and stems.  I love to use Northcott fabrics for most my applique projects.  The colours are yummy!

Once you have cut out your templates, iron onto the wrong side of the fabric.  If you are used to doing needle turn applique, this will seem odd to you. 

Leave enough room around each template to leave a good (not scant) 1/4″ seam allowance. 

Here is a photo of the tools you will need.  You will need a firm pressing surface.  An awl or a stiletto.  A mini-iron.  I swear by my Prym Dritz Petite Press!  A jar, some spray starch and a paint brush.  I use Easy On, which is a spray starch available in most grocery stores.  But you can also use Best Press.  And lastly, I cannot say enough about Karen Kay Buckley’s Perfect scissors.  I cannot imagine applique life without them:)

First thing to do is spray some starch into our jar.  Notice I am holding the can of spray upright and I am holding the jar on its side.  That is so that the nozzle will not clog, not unlike a can of whipped cream.  Let the foam in the jar reduce to a liquid.

With your paintbrush, paint some starch on the seam allowance. 

Hold the edge with your stiletto, pick up your iron and start to press the seam allowance over the template.  I hold my stiletto in my left hand and my iron in my right hand, but do what feels best for you.  If you cannot get the hang of the stiletto, simple use you finger to fold the seam allowance over.  Trust me, you will burn your fingers a few time and then say “I think I’ll give that stiletto another try”.

You will notice that some of the templates have some strange marking on them.  The two lines at the edge of the freezer paper (hash lines) means that you don’t do anything to that side.  Leave it “unprepped”.

If a template has no markings along the edge, the whole template gets prepped.

The last marking I want to show you is a dashed line.  This means that part of the edge gets prepped and part of it doesn’t get prepped.  Once I start showing you how the pieces go together this will make more sense.  First, clip right to the edge of the freezer paper where the dashed line is.

Next, prep the side that has no hash lines and leave the edge that does have hash lines unprepped.

When it comes to clipping inside curves, clip sparingly and clip to within 1/8″ of the freezer paper.  Believe it or not, 2 layers of freezer paper is thick, so you need that extra bit of fabric to wrap around the freezer paper.  Never (ever!) clip an outside curve.  Never!!

When it comes to points, I know you are going to want to cut those points off…. BUT DON”T DO IT!!  Just leave them be…for now:)

Hope everyone has a relaxing and safe long weekend:)

Til next time….

Kerry

Last month I had the pleasure of teaching 18 eager students at an all day workshop for the Moraine Quilt Guild in Newmarket.  As you can see, it was a very productive day!  The project the class worked on is the Hummingbird in Flight pattern which is available on my website here.  The pattern comes complete with the freezer paper templates already traced so you can start prepping your pieces immediately!  Such a time saver.

I taught the same Hummingbird in Flight pattern at my Spring Applique Retreat held on April 23-25 at Fireside Retreat in Orillia.  I think it is fair to say we did as much eating as we did stitching!  The breakfasts were catered by the owners of Fireside, Emma and Julien.  And the cake was made by Holly’s Sweets and Eats in Barrie.  It was gluten-free!

Diane managed to get every single one of her pieces prepped and glued in place by the time we left.  Amazing!

Hard at work!

I even managed to get my own block completely stitched.  It is in the talented hands of Rose Bell of Fancy Feathers.  Can’t wait to see what she does with it.

Starting today, I will be doing an ongoing Tutorial for a new series of patterns I have been working on for the last year or so.  The series of 13 patterns is called “Glorious and Free” which will be based on the official birds and flowers of each province and territory in Canada.  The patterns will become available on my website as I get them completed (the pressure is on!).  You will recognize the first pattern, “The Chickadee and Purple Violet”.    All 13 of the patterns will include a full-sized pattern and the freezer paper templates already traced for you!  As you can see, each pattern piece is labelled and there is a corresponding freezer paper shape.  So half the work is done!  By the way, the Chickadee and Purple Violet represents New Brunswick and it measures 19″ x 25″.

So, the first step is to iron each sheet of freezer paper (with the templates already traced) onto  a blank sheet of freezer paper.  This step creates a thicker template than just one sheet of freezer paper.  Did you know that you can reuse your FP (freezer paper) templates up to 10 times?

Freezer paper has 2 sides.  One is a paper side and one is a shiny side.  Place the freezer paper (with the templates traced on),  and a blank sheet of FP with the shiny side down.

Next, place the traced FP on top of the blank one.  This step will prevent you from putting shiny side to shiny side.

Use a hot iron to fuse the 2 sheets together.  Do not use steam (the sheets will not fuse together properly).  Once the 2 sheets are fused, lift them immediately from the ironing surface.  Now you are ready to cut out your templates.  This is a good “sit in front of the TV” kind of job:)  I like to cut my templates right on the line (as opposed to inside or outside the line).

Keep each “group” of templates together.  I like to keep mine in separate zip lock bags to save my sanity.  G1, G2, G3 etc. all refer to different shades of green.  G1 is light green.  G2 is medium green.  G3 is dark green.  So each “group” is a different fabric.

So now I am going to start prepping my pieces.  I will post that information tomorrow:)

Til next time….

Kerry